Doctoral
programme in architecture, city and design
track history of architecture (three-year programme) location Palazzo Badoer San Polo 2468 Venice information tel +39 041 257 1731 / 1865 / 1886 /
1787 coordinator: Fulvio Lenzo |
|
scientific
committee
Università Iuav di
Venezia
Maria Bonaiti, Massimo Bulgarelli, Fulvio Lenzo, Marzia Marandola, Marko
Pogacnik, Federica Rossi, Vitale Zanchettin
other universities
Elisabetta Molteni (Università Ca’ Foscari di Venezia), Marco
Mulazzani (Università di Ferrara), Paolo Nicoloso (Università di Trieste),
Francesco Repishti (Politecnico di Milano), Luigi Carlo Schiavi (Università di
Pavia), Luka Skansi (Politecnico di Milano), Marida Talamona (Università di
Roma Tre)
experts
Matteo Ceriana, Giovanna Curcio, Mario Piana
PhD
students
Maria Grazia Cozzitorto, Tuia Giannesini, Claudia Giorgi,
Daniel Fernando Macías Parra, Francesco Maranelli, Tommaso Moretto, Nicolas
Moucheront, Giordano Ocelli, Giacomo Picco, Aurora Pizziolo, José Miguel
Sambucety Rueda, Ana Laura Solano Rodriguez, Angelica Stern, Francesca Usai,
Emre Yurdakul, Lidia Alessandra Zianna
PhD students with Iuav grants in
doctoral courses of national interest
Stefano Guadagno - Università degli studi di Roma “La
Sapienza”
presentation
Scientific research in the History of architecture
aims to train highly specialised historians of architecture and the city,
capable of tackling with awareness and rigour any problem inherent to the
discipline in its broadest sense. The activity programme aims to familiarise
the approaches and methods of the discipline in its long historical path, as
well as to promote a flexible attitude in the study and an up-to-date exchange
with the international scientific community.
Attention is paid to the technical aspects of
research, such as the knowledge and use of archives and libraries, the reading
of handwritten and printed sources and architectural drawings, the direct
analysis of the artefacts; the acquisition of the most modern techniques of
philological research; the diversity of approaches, including those of parallel
disciplines, such as the art history, the history of technology, the history of
ideas; knowledge of and visits to the main Italian and international centres
for the study of the history of architecture; direct experience of research
through the preparation of a thesis; and, finally, methods for presenting the
results in oral, written and visual form.
Regarding the specific teaching and research
activities to accompany the transversal training provided by the Bembo Writing
Workshop, the study programme in the History of architecture is indicatively
structured as follows.
1. First year: first-year PhD students are invited
to take an active part in an industry seminar, a seminar given by an internal
or external professor of the Scientific committee of the research field, which
takes place from October to April. The topics covered concern a
well-circumscribed topic, and they tend to be included in a chronological span
that can vary from the Middle Ages to the contemporary. The seminar consists of
three ex-cathedra lectures, a conference, the assignment of research topics,
meetings between the PhD students and the seminar leader, and a final presentation
by the PhD students after the paper drafting. A second, shorter seminar is
organised in the second semester.
For admission to the following year, it is necessary
to successfully pass the two seminars and participate in the activities
proposed by the field during the year.
2. Second year: second-year PhD students are
primarily engaged in research for their thesis and will be called to account
for this research at least once per semester by presenting specific topics,
problems and issues to their peers and the Scientific committee, which may also
include external experts on such occasions.
For admission to the following year, it is necessary
to successfully pass the thesis progress and participate in the activities
proposed by the field during the year.
3. Third year: third year PhD students present their
research progress at least twice a year on dedicated days with the
participation of all other PhD students, the Scientific committee, and possibly
external professors.
Seminars and conferences on topics of interest in
the field are also offered every year as well as seminar meetings involving PhD
students from different cycles.
Every year, one or more study trips are organised,
lasting from two to ten days. PhD students are required to prepare presentations
to be held on-site.
recently
published dissertations
> Clara Altavista
Lucca e Paolo Guinigi, 1400-1430: la costruzione di una corte. Città,
architettura, arte,
ETS, Pisa 2005
> Alessandro Brodini
Michelangelo a San Pietro. Progetto, cantiere e funzione delle cupole
minori, Campisano, Roma 2009
> Valeria Cafà
Palazzo Massimo alle Colonne di Baldassarre Peruzzi. Storia di una
famiglia romana e del suo palazzo in rione Parione, Marsilio, Venezia
2007
> Giulia Ceriani Sebregondi
Architettura e committenza a Siena nel Cinquecento. L'attività di
Baldassarre Peruzzi e la storia di Palazzo Francesconi, Aska edizioni,
Siena 2011
> Jessica Gritti
Echi albertiani.
Chiese a navata unica nella cultura architettonica della Lombardia sforzesca, Iuav-Il
poligrafo, Padova 2014
> Fulvio Lenzo
Architettura e antichità a Napoli dal XV al XVIII secolo. Le colonne del
Tempio dei Dioscuri e la chiesa di San Paolo Maggiore, L'Erma
di Bretschneider, Roma 2011
> Francesca Mattei
Eterodossia e
vitruvianesimo, Palazzo Naselli a Ferrara 1527-1538, Campisano
Editore, Roma 2013
> Silvia Micheli, Erik Bryggman
1891-1955. Architettura moderna in Finlandia, Gangemi, Roma 2009
> Laura Moretti
Dagli Incurabili alla Pietà. Le chiese degli Ospedali Grandi di Venezia
tra architettura e musica (1522-1790), Olschki, Firenze 2008
> Alberto Muffato
William Lescaze. Il grattacielo PSFS a Philadelphia e il modernismo
americano, Electa, Milano 2012
> J.K. Mauro Pierconti
Carlo Scarpa e il Giappone, Electa, Milano 2007
> Daniele Pisani
Piuttosto un arco trionfale che una porta di città. Agostino di Duccio e
la porta San Pietro a Perugia, Marsilio, Venezia 2009
> Leo Schubert
La Villa Jeanneret-Perret di Le Corbusier 1912. La prima opera autonoma, Marsilio,
Venezia 2006
other
publications
Porre un limite all’infinito errore. Studi di storia dell’architettura dedicati a Christof Thoenes, a cura di A. Brodini, G. Curcio, atti delle giornate di studio (Venezia 2008), Campisano, Roma 2012
Villa Trivulzio alle sorgenti di Salone. Il ritiro di un
cardinale milanese nella campagna romana, a cura di A. Bonavita, Scalpendi
editore, Milano 2020.