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Vesper No. 7 | Sky | Fall-Winter 2022

 

 

Silvia Dalzero

Città (volanti)

 

Keywords

Unknown, anticipatory, future, suspension, Carsten Höller

 

The voyage of discovery of “(flying) cities” could be understood as a marked aspiration to progress. Given with their ideal component, their anticipatory attitude of the times, having as their ultimate aim that of prefiguring imaginative realities, the architecture of the cities evoked here is used in its languages, its limits and its possibilities for the future.

The sampling of examples that will be evoked in this journey through flying cities, suggests multiple architectures, always ready to reactivate a sinister, even sci-fi image of structures and forms suspended from the ground, raised into the sky and traversed by air and light: from Hayao Miyazaki's flying urban reality with his fortress-city of Laputa, to Buckminster Fuller's Cloud 9 project, from Tatlin's flying machine to El Lissitzky's Iron Cloud, to the flying city designed by the Soviet artist-architect Krutikov in 1928 and today reassembled by Carsten Höller and Yona Friedman's villes spatiales floating in the air. In this heteroclitic journey, we will find ourselves catapulted into a reality that is past and present but also ready to challenge the unknown and envisage future flying cities, projected into an elsewhere yet to be conquered and inhabited.

 

 

 

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