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Vesper No. 6 | Magic | Spring-Summer 2022

 

 

Andrea Gritti

From Florence to “Psicon”. Chronicles of a Journey within and around Architecture

 

The nine issues and the two notebooks published in Florence by the international architecture magazine Psicon” are the main evidence of a cultural enterprise that was suspended in circumstances similar to those that had fostered it. Between the end of the 1960s and the second half of the 1970s, the Faculty of Architecture of Florence found itself at the centre of an impassioned movement of college professors, who, during the student protests, had initiated experimental research or, on the contrary, had been forced to stop. Among the professors, rescued from the didactic paralysis of the Faculty of Architecture of Milan Polytechnic and recruited by the Florentine university, were Eugenio Battisti and Marcello Fagiolo, who, in the summer of 1974, joined Marco Dezzi Bardeschi to start an ‘ingenious’ and ‘fruitful’ editorial project. Stimulated by singular and fortunate circumstances, the three founded the “Psicon” cooperative and the Ouroboros study centre. The emblem they chose to seal their partnership was the Piranesian version of the ‘snake king’, in which the reptile biting its tail crosses the tools of the artist: a compass, some charcoal, a quill, and a paintbrush.

 

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